Maple Fringe Majority, television series pitch
A logline (aka elevator pitch) is a one or two line plot summary:
The Maple Fringe Majority television series consists of reflections from diverse free-thinkers and truth-seekers from Windsor and Essex County who've formed freedom and prepper communities, sharing political analysis and critical insights on local, national, and global issues, while showing how to organize, take action, find alternatives, and spread solutions to improve our communities, region, Canada, and our planet Earth to better resist, survive, and thrive in the face of the undemocratic monopolistic tyrannical new world order threatening our freedoms and futures.
First pitch
- See also: Television series pitches, My first television series pitch, and The Rendezvous, television series pitch.
In the face-to-face with John Buffone it was agreed that an authentic documentary format is preferable to dramatizations (and easier). Thus, I've focused on that premise and expanded it further here.
Title
The name "Maple Fringe Majority" holds several layers of meaning:
- Justin Trudeau pejoratively called resistance to his WEF tyranny the "fringe minority".
- Much speculation abounds whether "the fringe" are a minority or actually a majority.
- The fringe has embraced "fringe minority" label with pride and made it their own.
- Canada's peaceful resistance movement inspired respect across the world, thus rather than "Canadian" the universal "Maple" is more inclusive of all humanity.
- Jason Carswell is already squatting on http://MapleFringe.com and related sites, originally intended to become a federated decentralized forum/chat instance of Movim, as an alternative to the technocracy surveillance, control, and exploitation platforms of Facebook/Messenger. However, setting up such a platform securely with trusted admins is more difficult than one might imagine. Fortunately, Jason's expertise is in media production, not social medial administration.
Episode rundown
Here is a loose proposed episode rundown and format that, not necessarily in this order, among other things, may include:
- opening hook, dramatic clip or profound idea from within
- short animated credits (by animator Jason Carswell)
- folks introductions
- folks' background stories
- folks share their motivations
- folks' introductions to issues
- folks interviewed on location (ie. farmer's opinions from a farmer while farming)
- explanatory mini-documentaries for historical context (maybe use clips with permission)
- short current events clips
- folks explain the official narrative claims, currently and for the future
- folks expose the lies, historically, currently, and what will actually happen
- folks delve deeper on the issues
- if the episode starts with seemingly unrelated topics eventually they'll intersect with much in common
- folks discuss alternatives
- folks share solutions
- folks share plans, hopes, and dreams for the future
- motivational conclusion (ie. heartwarming scene, quote, rant, etc.)
- closing animated credits
- Easter egg ending
Series production
First timer
These initial concepts will be revised and evolve. Despite the lack of series production experience, with robust professional experience in animation, live-action art direction, and event production, a first effort presented here begins the organizing, development, and production process.
Format and reasons
Listed below are over two dozen critical themes, with the endless potential of countless other problematic issues in need of mass awareness. Further, there's no end to the combinations, intermixing, and overlapping of those topics affecting humanity. (Akin to how musical genres can overlap in unexpected fusions.) A lack of content is not a problem - focus is.
A large group of people + a large number of topics = flexibility to focus on specific folks in some episodes, or bounce between many. Some folks may have opinions on everything, stick to their fields of expertise, or range between.
Transparency
Schedule
An accurate, reasonable budget and schedule will require consulting with experienced professionals. Nonetheless, this is just a foundational catalyst for discussion and development. These initial guesstimates may be general averages, understanding learning curve and startup pace should improve, and some episodes may be easier than others - unless ambitions and complexities grow with experience. Naturally, as in animation studios that produce television commercials, one project is starting, another is underway, and one is wrapping up - so I'd expect episode overlapping. Especially if some stories and circumstances develop across months.
Some of these will take much longer than a week and some much less, but it's a starting point.
- 8x pre-production
- 8x shooting
- 8x rough edit
- 8x tweaked edit
- 8x post-production
- 8x finalizing
- total : 48 "weeks"
- plus : animation, branding, and graphic design
8 episodes x 20-25 minutes + 1 year seems plausible to result in 160 to 200 minutes of documentary journalism, with an abundance of potential for many more seasons/years.
Resources
Jason Carswell can confidently wear many hats (producer, director, screenwriter, production manager, storyboarder, editor, animator, graphic designer, art director, etc.), alone, but would prefer to lead a small tight capable team, recognizing limitations and inexperience as camera operator, sound recorder, sound engineer, interviewer, performance, vanities, music composer, etc.
Resources to verify:
- ☐ TV1 budget covers art department expenses (costuming, props, sets, etc.) - inapplicable to this pitch
- ☐ TV1 lends all camera, lighting, and audio gear
- ☐ TV1 budget covers cast (actors) - inapplicable to this pitch
- ☐ TV1 budget covers crew (camera men, sound, vanities, etc)
- ☐ TV1 budget covers post-production workstations (editing, animation, etc)
- ☐ TV1 budget covers editors, music, sound engineering, post-production
- ☐ TV1 budget covers promotional website?, design?, social media?
Resources to request:
- ☐ sufficient professional compensation for showrunner Jason Carswell
- ☐ for development and pre-production (treatments, screenwriting, production management, producing, etc.)
- ☐ for production, producing, and creative direction
- ☐ for post-production (editing, animation, promotion, social media, etc.)
The only critically urgent demands will be for immediate production expenses, a pittance to live on, and transportation - however we must also prepare for a few wild cards that may come up. Government overreach is a massive problem, and productions like this may face censorship, sabotage, or worse. Unprecedented medical tyranny, unscientific lockdowns, and intentional economic collapse loom over every endeavour on Earth. Leviathan corporations like Bell Media are problematically participants of the corporatocracy. No matter how eager to be flexible for this opportunity, eroded trust remains hard won in this climate - so as much as offering delayed gratification might have once been viable in negotiating, the world has changed too much. This may be a dilemma.
Budget
An accurate, reasonable budget and schedule will require consulting with experienced professionals.
Topical episodes
Episodes may be presented chronologically, organically, thematically, topically, in another manner, or hybrid combinations. To be discussed and determined.
Foci, issues, themes, topics:
- accountability & corruption
- autonomy & ethics
- censorship & communications
- children & education
- climate vs environment
- communities & organizing
- current events & historical precedents
- economics & alternatives
- employment & unions
- faith & philosophy
- gardening/farming & food crises
- health/wellness & housing
- lawful vs legal
- medical freedom
- mobility & transportation
- occasional notable guests
- networking
- perpetual class war & depopulation
- political problems & alternatives
- prepping & surviving
- propaganda & psychological operations
- surveillance & technology
- the future of humanity
- U.N. Agenda 21 & the Great Reset
- voluntarism & voluntaryism
- weaponized consumer culture
Outlines, synopses, and/or treatments may be drafted for each episode.
- Consumer culture
- Filmmaking
- Freedom fighting
- Independent media
- Maple Fringe Majority
- Maple Fringe Majority, television series pitch
- Media alternatives
- Media ideas
- Media projects
- Original content
- Pitches
- Prepping
- Production development
- Projects started on 2023-03-06
- Television
- Television series pitches
- Windsor communications
- Windsor dramatic productions
- Windsor documentary productions
- Windsor entertainment
- Windsor freedom projects
- Windsor indie-media
- Windsor media
- Windsor prepper projects
- Windsor videos